James Cameron’s ‘Avatar’: High Profiling the 21st Century’s Pandora’s Box
and Drawing Attention to How Chinada Planned to Fund its Global
Hegemony Initiative: Alberta’s Elephant Oil Deposit
and
’60 Minutes’: Geo-Politicizing its Segment on Director James Cameron
Which Further Proves the Film’s a Diplomacy Medium
© 2010 Brad Kempo B.A. LL.B.
Barrister & Solicitor
With Hollywood having fully embraced the challenge of containing China and fixing Canada since Nicole Kidman’s ‘Dogville’ and the Streep-Voight-Washington re-make of ‘The Manchurian Candidate’, there was no doubt the swift mammoth hit ‘Avatar’ was going to continue that tradition. The Fiefdom treatise author didn’t need to wait for the movie to reach the theatre or come out on DVD to identify it as have been geo-politicized and add to the coalition’s diplomacy archive. Producers embedded the lexicon in the trailer to red flag that fact. And to provide corroboration, an initiative was prepared that underscored the ‘Pandora’ dimension of the production.
The coalition accurately predicting that ‘Avatar’ was going to be a blockbuster hit didn’t motivate it to turn the film into a geo-platform. Rather, movers and shakers in the global community of democracy, rule of law and human rights advocates and Hollywood continued what’s been a five year tradition of embedding the diplomatic lexicon in productions to service the ubiquity of Chinada condemnation and generate communiqués about what is going to happen in Canada and around the world to prevent the Beijing leadership and its Canadian conspirators from carrying out its Soviet-style imperialism.
Usually the coalition’s Canadian diplomacy documentarian and archivist waits until a geo-movie comes out on DVD before reviewing it for its contributions to advancing stated objectives. However, this time the partnership chose a proactive approach and red flagged the film in three ways. One was to embed the lexicon in the official trailer; choosing to (i) high profile the Custodian Chief Executive’s two decades being an enslaved human experimentation victim, (ii) drawing attention to that which was hoped would fund Chinada’s global hegemony operations – the Alberta oil sands and the $20 to $50 trillion wealth the elephant deposit contains*, and (iii) pointing to the fact that militarized totalitarianism ought not be on the North American continent and that which procured, perpetuates and protects it must return from whence it came.
[0:50] This is why we're here. This little gray rock sells for $20 million a kilo.
Their village happens to be resting on [0:55: Cl.M.] the richest deposit...
[…]
[2:03: O-S M.] You should not be here. Go back.
* Alberta Oil Sands: Confessing to & Funding Global Hegemony 1, 2, 3, 4, 5; General 1, 2, 3, 4, 5, 6
Another corroborating initiative was delivered to the East-West Corridor of Diplomacy in three previews during the January 5, 2009 broadcast of the ‘NBC Nightly News’. Producers add a layer of geo-political significance only comprehensible by those in possession of the lexicon interpretation key. Brian’s first preview at the top of the broadcast introduces it as follows, employing a China identifier and Faith Maneuver, (the darting of the eyes, in this instance to the left), to red flag the script as geo-relevant:
Preview #1
And another dimension. Is there a [0:26: Faith M.] deeper meaning to the 3-D movie Avatar. It might depend on who's watching.
Preview #2
[18:47] When we come back, is there anything Avatar is secretly trying to tell us?
Note the prison certainty pattern that was originally documented in The Television Ubiquity of Prison Certainty (bottom right corner). And in addition, the assassination reminder in Preview #2.
Both previews created the expectation the segment would directly address this “secret”. However, the commentary falls far short; because producers were speaking to the East-West audience.
[19:06]* We're going to close here tonight at the movies. Avatar, a 3-D movie so successful it's safe to say that if you haven't seen it then you know somebody who has or will. On the face of it, it appears to be about big blue people with strange faces. But that's just the face of it. A lot of folks say there's a whole lot more going on in this movie.
* China identifier and compensation ratifier
Naming the home planet of the Navi ‘Pandora’ sought to high profile what stealth cognition technologies represent within a totalitarian imperialism threat parallel to its counterpart in the 20th century and nuclear weapons.
Avatar is a 2009 American science fiction epic film written and directed by James Cameron and starring Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez and Stephen Lang. The film is set in the year 2154* on Pandora, a moon in the Alpha Centauri star system. Humans are engaged in mining Pandora's reserves of a precious mineral, while the Na'vi – a race of indigenous humanoids – resist the colonists' expansion, which threatens the continued existence of the Na'vi and the Pandoran ecosystem.
Source: wikipedia.com
* digits add up to 12
The Fiefdom treatise describes, and the coalition agrees, how the development, testing, deployment and proliferation of unlawfully created technologies, strategies and tactics that remotely manipulate cognition has the same ability to destroy what is intrinsically desired and pragmatically necessary for civilization. Instead of obliterating physical structures, buildings and public infrastructure, and laying waste to land for eons due to radiation poisoning, Chinada’s nefarious asset like a neutron bomb leaves all that in tact and rids the landscape of that which stands in the way of total domination, subjugation, monopolization and plundering, namely people and their democratic and free market practices and codes of conduct that regulate excesses in human behavior.
The film’s premise involves outsiders mining, a precious mineral – or to use Fiefdom discourse Chinese totalitarians harvesting the content of the mind – and who are on an imperialistic or colonizing march that threatens the entire way of life of an indigenous culture.
The third corroborating production was the November 22, 2009 broadcast ’60 Minutes’ segment on the film’s director, Canadian born and raised James Cameron.
The first instance of the lexicon is juxtaposing the colors of China when announcing the actors in the film. Editors time this to generate a coalition identifier and compensation ratifier to link the global partnership and Custodian Chief Executive together and their common goals.
Cameron's stars are Sigourney Weaver, [2:35: Erin M.] Sam Worthington and Zoe Saldana. But in a sense, the real stars are the inhabitants of Pandora: ten foot tall blue people with tails.
[photo unavailable: cyber-sabotage]
Next came a Clash of Civilizations Maneuver timed to the word “twentieth”, underscoring how the development, employment and proliferation of stealth cognition technologies lies at the heart of the conflict. Most cleverly, timing of the lexiconic gesture is edited-in at 3:11, a paraphrased reference to 9/11 and all it represents.
Here at a high-tech complex on the [3:11: Clash of Civ. M.] 20th Century Fox lot, on the very spot where Marilyn Monroe proclaimed that gentlemen prefer blondes, Jim Cameron [3:20: Morley: Erin M.] works down to the wire, supervising the final tweaks to Avatar.
The coalition has gone to great and repeated lengths to draw parallels with the Chinada war and that being waged against Islamist fundamentalists: 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21.
Added is Morley’s gesture, which generates the communiqué that Viacom Inc. has and will continue like all coalition partners to work ceaselessly until stated objectives are achieved, in particular closing the lid on Pandora’s Box so its contents can’t be used in the same destructive manner as nuclear weapons would have had they been employed in the 20th century.
The geo-politics turns diplomatically coercive, with clips of the film chosen for their lethal military force and capital punishment communiqués. Again the timing of the gestures are specifically chosen because, as is the case in this instance, it links the coalition and the Custodian Chief to the ‘Iron Fist’ prosecution tribunal and one of the types of sentences that will be rendered.
His fantasy creatures are based on performances by the real actors. Cameras record dots on their faces. [3:35: Execution M.] Computers then analyze their expressions and bring the blue people to life [Execution M.]...
Coalition and China identifiers are combined and timed to draw attention to the fact that the partnership is meticulous in its surveillance, intel collection and strategic planning to achieve stated objectives.
"We're going through and we're [3:38: protracted Erin M.] analyzing every last detail within the shot to make sure that it's up to snuff. We can make the grass [4:03: Morley: Prince Harry M.] greener or yellower, we can make the sky bluer, all those things."
[photo unavailable: cyber-sabotage]
And they add a good luck reference to remind the Custodian Chief that where he’s experienced two plus decades of hell, the grass is greener where they have created a new life for him.
The next segment of the interview accentuates on a general what appears to be a common trait on both sides of the ideological conflict; namely that both sides are resolute, some would say “obsessive” in their quest to get the best of their nemeses. However, the decision when to edit-in the interviewee’s gesture, 4:57, makes the communiqué directly relevant to one of the coalition’s primary goals. The digits add up to 16 – a compensation ratifier and contain within them a coalition identifier (57), referring to the partners working towards making his historic wealth a reality. A review of the Coalition Index heading 'Damages, Entitlement to & Coalition Ratification of' (i) - (iii) proves this point.
"Are you excessively obsessive? [4:57: Cameron: protracted Erin M.] If there is such a thing," Safer asks.
"Clinically? Never been diagnosed. I'm sure it's a [5:03: Morley: R-S M.] job description for directors in general," Cameron said.
[photo unavailable: cyber-sabotage]
The interview turns coercive again, this time Morely effecting a ‘gun to the head’ Richie-Santelli Maneuver and one more time linking serious consequences to the tenacious work of the coalition and Custodian Chief to make that a reality.
A second reference to lethal force and the death penalty comes when discussing a prop from his first major film success.
His office is filled with remembrances of blockbusters past, including the wheel from the set of the good ship Titanic.
"I keep this in my office because [5:23: Morley: Execution M.] I know what it feels like to be at the helm of a sinking ship."
Morley draws attention to six undisseminated Fiefdom treatise chapters, which are titled with this kind of reference. One in particular is Canada’s Top General Retires Without a Word Why: Is He Another Rat Abandoning a Sinking Ship. The announcement without a more detailed explanation led to an inference he retired because of coalition concerns and intentions.
The Fiefdom treatise author waited just under a month before looking into the departure of Canada’s top military officer – the Chief of the Defence Staff – a latecomer in terms of being an architect for sure, but nonetheless a major perpetuator of Chinese militarization and decision-maker in terms of enslaved military human experimentation and torture. Surprisingly, there isn’t a word in the press on why he retired; only that it was “voluntary”. There were none of the usual excuses for departing such a high profile post -- health issues, family needs, change of career, etc.; opening the door to a coalition forced retirement explanation. Did he cut a deal with the partnership to avoid jail for life, save his personal assets and prevent the imposition of the death penalty?
When it was announced in April 2007 that the floor-crossing-Liberals-saving Belinda Stronach was retiring form politics this was authored: Are Prominent Liberals Abandoning the Sinking Ship of the Last Democratic Fiefdom?: A Rat of Rats Jumps from the Fiefdom Frying Pan into the ‘Iron Fist’ Fire.
Another reference to the coalition’s commitment to his quantum and also to putting all the malfeasant in jail for life or lengthy periods was made this way:
Growing up in Canada, his passions [5:55: clip: prison certainty] were movies, art and science.
And the last communiqué referred to the inevitability of Canada’s unlawful and vile paradigm of governance coming to an end through the elimination of its procurers, perpetrators and protectors.
His first directing job was on a preposterous bit of business called "Piranha II."
"It's the very best flying piranha movie ever made."
But Cameron and the Italian producer did not get along. [7:50: Cameron: protracted Diaz M.] And soon, the director was finito.
